Somewhere in the years of our late adolescence, when I still knew the people I grew up with, I gave a friend a ride from his parents house to the ferry terminal.
I was a mixed up kid, still living at home even though I was already a mother. My friend was the music snob of our teen social scene and he was living what had always seemed like the unattainable dream, with an apartment across the water in the city.
When the car started he flinched and said You like Tom Waits? in a surprised voice, then added Of course, this is the album true fans hate.
His opinion was that the album was maudlin, sentimental, and thus annoying. It should not be in the discography, it should have been issued under another name. The tape didn’t belong to me, so I just laughed and turned up the volume to listen to Martha.
I like songs that tell a story. I like songs that use cheap narrative tricks to solicit an emotional response. Maybe because nothing else can, I like songs that make me cry.
This morning I opened the files and started to work on the next book. I am still puzzled by the audience reaction to some of the stories; it honestly did not occur to me that the tales were sad as I lived the reality.
The thing I fear most in finishing the manuscript is losing the fun of it all, the exhilarating edge, the hilarious side of the horror. I do not want this book to be like the story songs that make me cry.
I do not want to allow any reader — not even one — to come away from the book feeling inspired in the way they would be after listening to a John Denver album.